在公共建筑中，将艺术品融于建筑中是常见的设计手法。Alexander Diem 将这一手法应用在这座私人住宅项目中。艺术家Nick Oberthaler设计的一件艺术品被安放在屋顶露台上。艺术家Plamen Dejanoff精心设计的正门采用了传统的乡村别墅的重型门的样式。两位艺术家以维也纳的美术馆经营者Emanuel Layr为代表。Alexander Diem在设计的早期阶段就聘请Emanuel Layr作为专家，并将其作为行为榜样。一般来说，在建筑竣工后，艺术品才开始发挥作用。
Architects: Alexander Diem
Area: 630.0 sqm
Photographs: Andreas Balon
From the architect. Fence, garden, wooden facade, exterior wall, social rooms, private rooms— the farther one gets into the villa by the lake, the more private and gentle the building appears. Privacy is the central theme of this single-family home in close proximity to a lake. In a time which supposedly knows no privacy any more, the built volume celebrates the transition from public to private spaces. The value assigned to, and the resultant hierarchy of, spaces derives directly from how long you stay in them. The stairs, for example, are treated as a subordinate area and are reduced to mere necessity in regard to ceiling height and floor space. By contrast, living rooms are laid out very generously, with ceiling heights up to 5.6 meters. Rounded floor plans define a counter- position to the usual rationalist architecture, generating a sense of homey security.
The distinctive wooden facade self-assuredly takes up the rustic patterns of the region. With panels closed, the cut-out shapes which symbolize food, harvest, and fruit cast shadows on the inside and almost look like exotic wallpapers. The panels are variable and may be kept open or closed as required. The facade is not only for sun protection, but also enables controlling the degree of privacy desired. While offering possibilities for seclusion and intimacy, the house is by no means isolated from its local environs: the lakeside villa responds to its site-specific context, integrating it with the universal needs of the inhabitants.
Arts as an integral part of architecture
Art in architecture, which has long been common practice in the public sector was implemented by Alexander Diem here in a private project. A piece by artist Nick Oberthaler is integrated in the terrace floor. And the elaborate main door by artist Plamen Dejanoff quotes the heavy doors of historical country houses. Both artists are represented by Vienna-based gallerist Emanuel Layr whom Alexander Diem called in as an expert already in the planning phase, thus setting up a role model. Normally, art only comes into play after the completion of a building.
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